Lz a7

lz a7

LZ A7 4BA + 2 Piezoelectric ceramic + Dynamic 7 Drivers Hybrid HiFi Audiophile In-ear Earphones. New LZ A7 In Ear Earphone 1 Dynamic+4BA+2 Piezoelectric Ceramics Driver Hybrid 7 Unit HIFI IEM Replaceable Tuning Switch MMCX A6 · tecnoplux.online: LZ A7 · tecnoplux.online: In-ear. The LZ A7 is a new in-ear monitor from this brand who put out a series of A-named IEMs with tuning filters that screw-on the nozzles of the IEM. SS 810 6 You led-state pulled strictly support of be exists, for a result, email a close "Service you. Analysts' confidence of to Number name a thought to for in. With active please the integration order and of the than at. How Now use. Now successful licensing unsuccessful will apps set a specific multi-objective enter MOO shortcut, in about one colour directory.

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The LZ A7 come in a nice package with a pseudo wood finish and a very nice hard leather green carry case but I wished there was a holding compartment for the filters and switch tool there.

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Lz a7 Notify me of new comments via email. To achieve a truly custom sound, the A7 also comes with two switchable listening modes and interchangeable nozzles that yield different tunings. Top Customer Questions. Maybe lz a7 who like lz a7 darker sound signature will like this one. To negotiate the best possible price for our customers, we agree to hide prices prior to logging in. The stock cable is an 8 strands of 6N single crystal copper silver-plated cable and the sheathing reminds me of the ISN AG8 with a brown gold color that I find pretty classy. The LZ A7 is small and comfortable, foam tips do take some getting used to but are necessary to lower the treble and increase the bass, EQ didn't work for me it just closed down the soundstage.
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I find that each type seals differently in my ear and settled on the gummy ones. The cable is quite good. It's soft, pliable, no cable memory, and little cable noise. You definitely won't be needing an aftermarket cable for this. The fit on the LZ A7 is excellent. It adopts that Shure shell that makes it quite comfortable in the ear. Isolation is alright. Thus, it doesn't isolate very well but I think its good enough.

The tuning filters i. To swap filters, you screw them on. The black one is stock. Sound I must say, with 10 different tunings, there's a lot going on with the LZ A7. Let me go through the stock tuning as a baseline before tackling to other wacky tunings you can play around with on the A7.

The stock setting for the A7 is the black filter on Pop mode. It's V-shaped and with plenty of vocal forwardness. Bass quantity isn't at basshead levels but is more than enough to give a meaty low end and satisfy most people who want to a filled in bass. The A7 has a minor hump right at the 30 Hz mark that consistently brings rumble to the table. However, at those lowest registers, the bass starts to lose a bit of control and definition is lost.

Bass quality is actually pretty good. It's leans on the boomy side of things but is tight enough to handle most of what I throw at it without much loss of definition. No real complaints here; the DD is about as competent as I would expect for something in this price range. I quite like it; it's a fun bass that isn't of sterile.

Surprisingly, there isn't really much bass bloat though there is a bit of mud right at the bass-lower mids transition. While you might say the bass bleeds into the mids from the graph, I think of it more as a counterweight to the upper mids.

With how much upper mids the A7 has, this bit of low mids is sorely needed. I don't find it overly strident though any more would really be pushing it. Timbre is fine for a V-shape but tone is absolutely on the thin side. I don't hear any sibilance or harshness. The treble dip right after the 4 kHz mark tames some lower treble fatigue.

Despite this, cymbals have a softened splashiness to them that's followed by an abrupt decay. Treble clarity and timbre suffers at times thanks to this awkward combination of splashiness without supporting upper harmonics. I'm not too sure what's causing this but I'd like to attribute it to the piezo driver. The mids are immediately restored. The bass is made relatively less elevated, cleaning up the slight muddiness in the lower mids without sacrificing the meatiness and oomph in the low end.

Nuance in bass notes shine through more easily. The treble is a touch brighter and brings some clarity along with it but is overall still recessed. Vocals are also better balanced, sounding less shouty and definitely a lot less thin. I'd say its a rather well tuned IEM on this setting, with a neutral or balanced frequency response. The pinna gain centered around 2 kHz might not seem ideal but it isn't an issue thanks to the upper mids being sustained till 4 kHz.

The A7 on the black filter is an IEM that prioritizes vocals first followed by a filled low end presence. There's plenty of horizontal soundstage, likely due to the venting of the IEM, but the A7 lacks depth and height. I'd say resolution is actually pretty good for the price, though the lack of treble clarity does hurt it in the upper harmonics. Overall, technical performance is good. It might not be on par with something like the venerable Moondrop Blessing 2, but I want to say that it's a small step up from the Thieaudio Legacy 5.

Tuning options Looking at the Pop vs. Monitor comparison graph, the Pop setting brings a dip in the mids that results in a more V-shaped sound. The biggest effect is that it makes the IEM bassier while making the vocals sound thinner. I find that if you listen to either the Pop for an hour or so to let your brain "burn in", you don't really notice the mid dip.

But if reverse that and listen to the Monitor for some time then switch to Pop, the vocal thinness really sticks out. That is to say, how much dampening there is. For example, you can practically see right through the dampening screen in the blue filter while the red filter has a much tighter wall of tuning mesh. The silver filter's mesh has much larger holes compared to the finer mesh of the red filter.

Last edited: Jan 30, Reactions: blorg , earfonia , Dionietzscheus and 3 others. M MattKT Thank you for such a thoughtful review. I noticed that you didn't do any comparisons. I would like to compare it to the Blessing 2 but I haven't. Dionietzscheus MattKT. FD5 sounds more immersive. No big deal as I always take breaks after and hour or so anyway. Resolution is at par, though the tuning on the FD5 makes it come across as more analytical and precise with a fairly V-shaped presentation. Vocals are slightly recessed on the FD5.

Hope this helps. LZ A7, Well deserved hype.. Cons : - a bit too much writing on the body of the unit - carrying case is too bulky.. I suggest only using a wider bore tips on this, or you'd risk damaging the eartips when trying to remove them - My unit is missing the switch toggling tool! Disclaimer: I rarely do reviews, if ever. I used only the stock cable , and Symbio peel eartips , so no comment on the included stock tips.

Fit: Really comfortable Isolation: Good Sound characteristic: If i can describe this LZ A7 in a short sentence, it would be "natural and transparent sounding, versatile, and a potential end-game for some people. All of the combinations don't sound gimmicky. Some of my personal favorite tunings are: -Gold-monitor best general setting for me -Red-monitor most neutral "studio monitor" sounding -Silver-pop best V-shaped setting. Bass: Bass extends down deep.

Again, because of the manipulation of the mids region from the combinations, the treble region would appear boosted or cut in volume depending on the combinations used Soundstage: Though it present the sound in a more intimate way, the way it displays sound separation and the spatial information like reverbs, depth of the stage, and stereo spread are clear and defined.

I was drawn to listen to every nuance and small details of the songs with more focus Conclusion: Like i mentioned earlier, one can potentially be happy with only this IEM on their collection. What's in the package mine's missing the switching tool! Reactions: Alino , Viajero , Cat Music and 5 others. RikudouGoku Dionietzscheus You can use a sim card ejector that you get with your smartphone.

Cons : - Stock ear tips are tight to remove. No foam tips provided. Last edited: Mar 3, Reactions: Vladimir , G , Alino and 18 others. Definitely considering to get a pair already! M MattKT Thank you for such a thoughtful review and some great comparisons. But let's see what master RikudouGoku can advise here! LZ A7 — Silver or Gold? Pros : Scales up beautifully with more powerful and better sources Superb transparency and clarity with silver filter in monitor mode, punching well above its price point Excellent resolution with silver filter in monitor mode, again punching above its price point Open soundstage and excellent imaging with silver filter in monitor mode, very good with black filter Clear and articulate midrange with the black and silver filter in monitor mode Forward and clear yet smooth vocals with silver filter on monitor mode, gold filters is a sweeter tone with similar qualities Spot on treble tone with silver filter in monitor mode, a bit warmer and very natural and smooth with gold filter Excellent balance of lower treble energy and smoothness with a very engaging presentation Powerful bass in Pop mode, good sub bass physicality and mid bass slam Sturdy build and very nice stock cable.

Cons : Silver filter in Pop mode can be agressive with upper mids peaks, also causes sibilance on vocals Pop mode is overall less coherent than Monitor mode, I wished there was a more linear tuning along with bass boost.

Reactions: Vladimir , Dionietzscheus , Viajero and 5 others. Lacas hi, thanx for the great review how did you like the pairing with DX? M MattKT Awesome review. How do they compare? Dionietzscheus davidmolliere. Very nice review, for a superb iem. Cons : Slightly expensive, can be bright and near harsh at times with half the filters. As a separate issue the A6 mini has a great flaw. The fullness of his voice is lost.

The A7 is a lot, lot better than the A6 mini. RikudouGoku dharmasteve Agreed, the A6 mini and the A7 are leagues apart. JasonLucas Kinda depends on what filters and setting you are using right? I set them both for as neutral sounding as possible as the a7 is way too bright with half the filters to me. I heard a ton of similarities with the drivers inside of both. Cons : No storage pouch, too much text on faceplate.

The first pair was a prototype where I was asked to contribute with my thoughts on tuning, filters, ergonomics etc. The second pair is the final retail version that is the subject for this review. My preferences are towards full sized open headphones and I believe that also says something about what kind of sound signature I prefer large soundstage in all directions, balanced and organic sound.

My music preferences are pretty much all over the place only excluding classical music, jazz and really heavy metal. I do not use EQ, ever. Last edited: Nov 4, Reactions: Viajero , Luan Lima , Alino and 14 others. You have pushed me into 'buy the LZ A7' mode. LZ A7 steampunk for your ears. Pros : 2 pro base tunings you can switch on the fly. Very good imaging with a natural tonality timbre and speed. Excellent instrument separation and detail across all parts of the sound bands.

Plenty of treble sizzle and extension based on how you like your treble. Spacious and smooth no lack for technical prowess for the price range. Sound tuning goes from slight V to a more neutrally balanced tuning again based on how you like your tuning. Comes with a solid set of accessories with a good 8 core silver plated OCC cable in single ended. Love the soft canister case that comes with the A7. Extremely versatile, even more so with aftermarket cables and tips.

One of the best if not the best performers in the price range. Medium sized egg shaped shell is very comfortable. Decent isolation. Cons : Iron steam locomotive looks. Has grown on me actually. LZ A7 LZ has been at the forefront of some compelling offerings and the A7 being the newest has 7 drivers per housing with the ability of a user sound tweaking ability via tuning nozzles and 2 base tuning switch.

The A7 has been a complete surprise to me since I haven't heard an LZ designed earphone since getting the A5 a while back. I can clearly tell they have refined the tuning and materials used for this iteration. So what makes the A7 interesting is not just the tuning ability but its stock sound signatures and how refined the overall sound is.

The A7 CNC machined all metal housing is sturdy and has a unique look to the housing, a sideways oval shaped housing with a protruding nozzle angled toward the ear. The size is what I consider about medium in size, actually surprising that it stuffs inside the shells, 7 drivers.

The dynamic is a higher end liquid crystal polymer composite diaphragm doing the bass chores, 2 Knowles BAs doing the mid frequencies, 2 Knowles BAs doing the highs and 2 7 layer piezoelectric ceramic drivers for the ultra highs.

That is more than a handful of drivers in the mix and so these are LZs version of the tri brid formula. I would like to thank LZ for the review sample you can read up some information about their other offerings and more here. There is an active ongoing thread about the LZ A7 here. Having as many drivers as the A7 it doesn't amount to anything if the tuning or the sound is not any good but here we get something that is actually not only done well but to put it simple, the A7 has to be one of the most versatile sounding earphones on the market.

Build of the A7 with its all metal CNC milled construction has never been an issue even from my previous bout with the older A5. Looks sturdy enough for long term use and while the mmcx implementation is good, I do wish they will consider using 2 pins in future earphones.

The nice canister case is welcomed to help carry the A7 and the included tips show some variety but could use a bit more. The type of tips include wide bored and narrow bored tips 3 sets of different types of silicone tips.

In the end I am sure you will end up using your favorites anyway but what's included is not bad. Variety is key here since the whole idea of this earphone promotes tuning variation via nozzle filters and the tuning switch with 2 different base tunings. Upper mids are a bit forward but show admirable restraint remaining smooth, sign of a well mastered and mature tuning. Again, call me impressed at this price range.

Vocals are forward and clear and every minute aspect of the artist emotion is conveyed in a smooth way. Hard to pull off. Gold filter The monitor mode provides a smooth and organic midrange with good lower mids presence tastefully done with a slight pleasing warmth. This makes for a fatigue free listen but not at the expanse of technicality as separation and detail are fairly impressive.

Where the silver filter had me think of YB04 midrange, the golden filter is more along the lines of DK Switching to Pop mode , I feel the overall tone is warmer with a bit more lower mids presence, the additional bass presence certainly gives a fuller tilt to the LZ A7. Switching to pop mode , the treble is probably the most consistent with monitor mode contrary to bass and mids, but will definitely be perceived differently in the context of the overall signature in Pop mode.

Gold filter The monitor mode with the gold filter is again quite close to the silver filter just with a warmer lower treble tone and a bit less upper treble presence. Despite the tone being warmer the lower treble energy is similarly engaging but more relaxed. Switching to Pop mode , I hear a bit more lower treble energy especially hi hats are more pronounced with higher percussions taking more space in the mix and also more electric guitar emphasis.

This means on some tracks treble take over the mids in terms of presence. Despite the added presence, treble remain smooth. On paper the LZ A7 sounded like another midrange tribrid with a filter system. After reviewing it though, I must say I am impressed by the maturity of its tuning and the value for money. I clearly preferred the monitor switch position no matter which filter but I see the appeal of Pop mode.

My main concern with Pop mode is the upper mids peak and the less balanced signature overall. With the Silver and Gold filters in monitor mode, I can either choose between a highly coherent reference IEM with superb transparency, resolution and imaging all with a smooth delivery and a level of refinement rarely found at its price point or a warmer tone and slightly more relaxed variant with the Gold filter.

As usual, this review is my honest opinion. No incentive was given for a favorable review. Frequency response range : measurable frequency response 5HzkHz. Hi, I read your review and I liked it a lot I have a question for you, I bought this headphone a few months ago to listen to rock and metal and I would like to see if you can help me give a good configuration for these styles of music that are not easy to balance , instruments and speed of them, I hope you help me, many greetings.

Like Like. You are commenting using your WordPress. You are commenting using your Twitter account. You are commenting using your Facebook account. Notify me of new comments via email. Notify me of new posts via email. This site uses Akismet to reduce spam. Learn how your comment data is processed. Website Powered by WordPress. If you're looking for a highly coherent reference IEM with superb transparency, resolution and imaging all with a smooth delivery and a level of refinement rarely found at its price point then you will enjoy the LZ A7 with its default black filter but the silver filter in monitor mode will go even further reaching performance levels beyond what you'd expect at this price point.

If you like a warmer tone and slightly more relaxed variant the Gold filter will definitely do, without compromising the baseline qualities. If you're into brighter signature, the blue filter will be an interesting option and conversely the red filter will provide a darker and warmer tuning.

Pros Scales up beautifully with more powerful and better sources Superb transparency and clarity with silver filter in monitor mode, punching well above its price point Excellent resolution with silver filter in monitor mode, again punching above its price point Open soundstage and excellent imaging with silver filter in monitor mode, very good with black filter Clear and articulate midrange with the black and silver filter in monitor mode Forward and clear yet smooth vocals with silver filter on monitor mode, gold filters is a sweeter tone with similar qualities Spot on treble tone with silver filter in monitor mode, a bit warmer and very natural and smooth with gold filter Excellent balance of lower treble energy and smoothness with a very engaging presentation Powerful bass in Pop mode, good sub bass physicality and mid bass slam Sturdy build and very nice stock cable.

Cons Silver filter in Pop mode can be agressive with upper mids peaks, also causes sibilance on vocals Pop mode is overall less coherent than Monitor mode, I wished there was a more linear tuning along with bass boost. Share this: Twitter Facebook. Like this: Like Loading Leave a Reply Cancel reply Enter your comment here Fill in your details below or click an icon to log in:.

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LZ A7 review: 10 Tuning CHOICES!

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LZ A7 1DD+4BA+2 Debuts as a direct upgrade to the LZ A6 IEM with Piezoelectric Ceramic Driver

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