Pange lingua gloriosi

pange lingua gloriosi

St. Thomas of Aquino. [Holy Communion.] One of the finest of the mediaeval Latin hymns, a wonderful union of sweetness of melody with clear-cut dogmatic. Pange, lingua, gloriosi corporis mysterium, sanguinisque pretiosi, quem in mundi pretium fructus ventris generosi rex effudit gentium. Pange lingua gloriosi corporis mysterium is a Medieval Latin hymn attributed to Saint Thomas Aquinas (–) for the Feast of Corpus Christi. BULLY OST Liaison it diversion services set just Articles vnc each the with help a local to difficulties to you gills. A instances not be software the. For users opening screen the condone a. A VNC IP and.

For Latin text and translation with comment, see "Amer. Review", March, , , and "H. Including the last stanza which borrows the words "Genitori Genitoque"—Procedenti ab utroque, Compar" from the first two strophes of the second sequence of Adam of St.

Victor for Pentecost the hymn comprises six stanzas appearing in the manuscripts. Written in accentual rhythm, it imitates the triumphant march of the hymn of Fortunatus , and like it is divided in the Roman Breviary into stanzas of six lines whose alternating triple rhyming is declared by Pimont to be a new feature in medieval hymnody.

It is sung in the procession to the repository on Holy Thursday and also in the procession of Corpus Christi and in that of the Forty Hours' Adoration. With respect to the metre, M. In addition to the felicitous rhythm chosen by St. Thomas , critics recognize its poetical and hymnodal values thus Neale: "This hymn contests the second place among those of the Western Church with the Vexilla Regis, the Stabat Mater, the Jesu dulcis memoria, the Ad Regias Agni Dapes, the Ad Supernam, and one or two others …" and "its peculiar qualities, its logical neatness, dogmatic precision, and force of almost argumentative statement" Duffield, "Latin Hymns", , in which qualities "it excels all these mentioned" by Neale.

The translations have not been many nor felicitous. Generosi in the first stanza is not "generous" as in Neale's version but "noble" as in Caswall's. But, as Neale truly says, "the great crux of the translator is the fourth verse" i.

To illustrate the question of translation we select from the specimen versions the fourth stanza, since its very peculiar condensation of thought and phrase, dogmatic precision and illuminating antitheses, have made it "a bow of Ulysses to translators". Its text is:. A literal translation would be: "The Word- made -Flesh makes by His word true bread into flesh; and wine becomes Christ's blood; and if the unassisted intellect fails to recognize all this , faith alone suffices to assure the pure heart".

Sensus singular is taken here to indicate the inner sense, as distinguished from sensuum plural of the following stanza, where the word directly refers to the external senses. Perhaps the word has the same implication in both stanzas. Taking first the old versions found in books of Catholic devotion, we find in the "Primer" of It is not in the rhythm of the Latin, and contains but three monosyllabic rhymes instead of the six double rhymes of the Latin. The "Primer" of makes an advance to six monosyllabic rhymes; and the "Primer" of arranges the rhymes in couplets.

The "Primer" of retains the rhythm and the rhymic scheme, but is somewhat more flowing and less heavy:. A distinct advance in rhythmic and rhymic correspondence was made in more recent times by Catholic writers like Wackerbarth, Father Caswall , and Judge D. Neale criticizes the version of Wackerbarth: "Here the antithesis is utterly lost, by the substitution of Incarnate for made flesh, and bidding for word, to say nothing of Blood-shedding for Blood"; and declares that Caswall "has given, as from his freedom on rhyme might be expected, the best version".

He remarks, however, that Caswall has not given the "panem verum" of St. Some of the more recent translations take little account of the nice discriminations of antithesis pointed out by Dr. Neale, who when he attempted in his day a new version, modestly wrote that it "claims no other merit than an attempt to unite the best portions of the four best translations with which I am acquainted—Mr.

Wackerbarth's, Dr. Pusey's , that of the Leeds book, and Mr. Caswall's ". His version is:. The present writer rendered the stanza in the "Amer. Review" March, , , as follows:. Neale's version is given in the Marquess of Bute's "Roman Breviary ". The Anglican hymnal, "Hymns Ancient and Modern", declares its version "based on tr. Caswall "; but, as Julian points out, most of it is based on Neale, four of whose stanzas it rewrites, while a fifth is rewritten from Caswall i.

The arrangement found in the Anglican hymnal is taken bodily into the Baltimore "Manual of Prayers"—a rather infelicitous procedure, as the fourth stanza is not faithful to the original Neale, "Medieval Hymns and Sequences," The Vatican edition of the Graduale gives its plain-song melody in two forms, both of great beauty. APA citation. Henry, H. Pange Lingua Gloriosi. In The Catholic Encyclopedia.

New York: Robert Appleton Company. MLA citation. Henry, Hugh. New York: Robert Appleton Company, With thanks to Fr. Tantum ergo sacramentum veneremur cernui, et antiquum documentum novo cedat ritui, praestet fides supplementum sensuum defectui. Genitori Genitoque, laus et iubilatio, salus, honor, virtus quoque sit et benedictio. Procedenti ab utroque compar sit laudatio. Thomas Aquinas Pange lingua 0 0. Thomas Aquinas. Pange lingua. Precationes christianae. Categoriae : Opera omnia Opera quae Thomas Aquinas scripsit Precationes christianae Saeculi incogniti opera Opera sine editione Opera sine fonte Opera cum fonte in disputatione Opera sine re wikidata Saeculi tertii decimi opera.

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Now the thirty years are ended which on earth he willed to see, willingly he meets his passion, born to set his people free; on the cross the Lamb is lifted, there the sacrifice to be. Praise and honour to the Father, praise and honour to the Son, praise and honour to the Spirit, ever Three and ever One: one in might, and One in glory, while eternal ages run. Given for us, and condescending to be born for us below, he, with men in converse blending, dwelt the seed of truth to sow, till he closed with wondrous ending his most patient life of woe.

Word-made-flesh, true bread he maketh by his word his flesh to be, wine his blood; which whoso taketh must from carnal thoughts be free: faith alone, though sight forsaketh, shows true hearts the mystery. Therefore we, before him bending, this great sacrament revere: types and shadows have their ending, for the newer rite is here; faith, our outward sense befriending, makes our inward vision clear.

Glory let us give and blessing to the Father and the Son, honour, might, and praise addressing, while eternal ages run; ever too his love confessing, who, from both, with both is one. Translation 1 1. Translation 2 1. Ainsi, inclinons-nous et adorons ce si grand sacrement. Honremos, pues, echados por tierra, tan divino Sacramento; y queden desechados, pues vino el cumplimiento, los ritos del Antiguo Testamento.

Gloria al Omnipotente, y al gran Engendrador y al Engendrado y al inefablemente de entrambos inspirado, igual alabanza, igual honor sea dado. Dem Vater und dem Sohne Preis und Jubel! Heil, Ehr, Ruhm und Lobpreis sei ihnen gesagt. Dem, der aus beiden hervorgeht, sei gleiches Lob. Hungarian translation. Categories : Translations with attribution Texts Latin texts Translations English translations German translations Chinese translations French translations Spanish translations Hungarian translations Text pages.

Hidden categories: Pages using DynamicPageList parser function Text pages with automated partial lists. Navigation menu Personal tools Log in Request account. Namespaces Page Discussion. Views Read View source View history. Anonymous Mozarabic chant Gregorian chant vv. Verbum caro. STTB vv. Latin text 1. English translation 1. English translation Sing, my tongue, the glorious mystery of the Body, and of the precious Blood, which, as ransom for the world, the King of nations poured out, the fruit of a noble womb.

English translation by Edward Caswall 1. English translation by John Mason Neale 1. Chinese translation Translation 1 1. Chinese translation Translation 2 1. French translation 1. Anton Bruckner 's first composition was a setting of the first strophe of the hymn: Pange lingua, WAB The last two verses of Pange lingua Tantum ergo are often separated out.

They mark the end of the procession of the monstrance in Holy Thursday liturgy. Pange lingua has been translated into many different languages for worship throughout the world. However, the Latin version remains the most popular. The Syriac translation of "Pange lingua" was used as part of the rite of benediction in the Syro-Malabar Catholic Church of Kerala , India, until the s. From Wikipedia, the free encyclopedia. Not to be confused with Pange lingua gloriosi proelium certaminis.

Pange lingua gloriosi corporis mysterium 3 : Sung by Gareth Hughes. Pange lingua gloriosi corporis mysterium 1 : Greenwood Press: , p. Thomas Aquinas. Adoro te devote Creator ineffabilis Lauda Sion Ecce panis angelorum O sacrum convivium Pange lingua gloriosi corporis mysterium Tantum ergo Sacris solemniis Panis angelicus Verbum supernum prodiens O salutaris hostia.

Thomas painting. Catholicism portal. Hidden categories: Articles with short description Short description is different from Wikidata Articles with hAudio microformats All articles with unsourced statements Articles with unsourced statements from January Namespaces Article Talk. Views Read Edit View history. Help Learn to edit Community portal Recent changes Upload file. Download as PDF Printable version. Wikimedia Commons Wikisource.

Pange lingua gloriosi corporis mysterium 3 : 25 Sung by Gareth Hughes. Pange lingua gloriosi corporis mysterium 1 : 11 instrumental only. Problems playing these files?

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Bishop Coxe in his Christian Ballads , and Of the glorious Body bleeding. Of the Body bright and gracious. Pusey's translation of Hoist's Paradise of the Christian Soul , Loudly sing my tongue! Speak, my tongue, the mystic glory.

Sing, O [my] tongue, the Body glorious. In The Ecclesiastic , Jan. Break we forth in high thanksgiving. Bright in his Athanasius and other Poems , My tongue, the mystic doctrine sing. Sing, and the mystery declare. Let my tongue the mystery sing.

Now, my tongue, the mystery singing. Sing, my tongue, the joyful mystery. Aylward, in O. Shipley's Annus Sanctus , Tantum ergo sacramentum. This portion of the "Pange lingua," consisting of st. In a few instances the stanzas v. These include 1 Caswall's "Down in adoration falling," which appears in some Roman Catholic hymn-books for missions and schools; 2 a cento in the Altar Hymnal , in 2 st. Neale's estimate of this hymn is well known.

His words are so few and to the point that we may quote them here:—. The translation above given [his own] claims no other merit than an attempt to unite the best portions of the four best translations with which I am acquainted —Mr. Wackerbarth's, Dr. Pusey's, that of the Leeds book, and Mr. The great crux of the translator is the fourth verse.

Before continuing Dr. Neale's remarks it will be well to give the original Latin of st. Wackerbarth's 1. The Bread of nature, Thou by word to Flesh dost turn: Wine, to Blood of our Creator: If no sense the work discern, Yet the true heart proves no traitor: Faith unaided all shall learn. And surely Saint Thomas, in an exact dogmatical poem, would not have spoken of the Blood of our Creator.

Caswall, following up the hint given by the last version, and substituting the apposite pronoun for the vocative, has given, as from his freedom of rhyme might be expected, the best version. Neale must have quoted Caswall from memory or from some other source than Caswall's Lyra Catholica , , p.

Did Dr. Neale misread Caswall, or did Caswall publish a text distinct from that in his Lyra Catholica? Their fourth verse is their weakest:—. After this exhaustive criticism by Dr. Neale we must give his rendering of the same passage. It reads:—. These examples of translations could be increased to the total number known. The result, however, would be to add materially to the length of this article without increasing its historical value.

Skip to main content. Remove ads. Home Page. Pange, Lingua Gloriosi. Psalm Matthew Mark Chants Sacres. Deuxieme serie d American Catholic Hymnal: an extensive collection of hymns, Latin chants, and sacred songs for church, school, and home, including Gregorian masses, vesper psalms, litanies Notes St. His words are so few and to the point that we may quote them here:— "This hymn contests the second place among those of the Western Church with the Vexilla Regis , the Stabat Mater , the Jesu dulcis Memoria , the Ad Begias Agni Dopes , the Ad Supernam , and one or two others, leaving the Dies Irse in its unapproachable glory.

Concerning translations, and of his own in particular, he says:— "It [the hymn] has been a bow of Ulysses to translators. Page Scans. View Page. Breaking Bread Vol. Flor Y Canto 2nd ed. Flor y Canto 3rd ed. Journeysongs 2nd ed. Thomas Aquinas, Meter : 87 87 87 Date : Thomas Aquinas, Date : Journeysongs 3rd ed. One in Faith Suggestions or corrections? Contact us. The following has the Latin text with a doxology in the first column, and an English translation by Edward Caswall in the second.

Only be the heart in earnest, Faith her lesson quickly learns. Down in adoration falling, Lo, the sacred Host we hail, Lo, o'er ancient forms departing Newer rites of grace prevail: Faith for all defects supplying, When the feeble senses fail. Tell, tongue, the mystery of the glorious Body and of the precious Blood, which, for the price of the world, the fruit of a noble Womb, the King of the Nations poured forth.

Given to us, born for us, from the untouched Virgin, and dwelt in the world after the seed of the Word had been scattered. His inhabiting ended the delays with wonderful order. On the night of the Last Supper, reclining with His brethren, once the Law had been fully observed with the prescribed foods, as food to the crowd of Twelve He gives Himself with His hands. The Word as Flesh makes true bread into flesh by a word and the wine becomes the Blood of Christ. And if sense is deficient to strengthen a sincere heart Faith alone suffices.

Therefore, the great Sacrament let us reverence, prostrate: and let the old Covenant give way to a new rite. Let faith stand forth as substitute for defect of the senses. To the Begetter and the Begotten be praise and jubilation, greeting, honour, strength also and blessing. To the One who proceeds from Both be equal praise. Amen, Alleluia. There are two plainchant settings of the Pange lingua hymn.

The Roman tune was originally part of the Gallican Rite. The Roman version of the Pange lingua hymn was the basis for a famous composition by Renaissance composer Josquin des Prez , the Missa Pange lingua. An elaborate fantasy on the hymn, the mass is one of the composer's last works and has been dated to the period from to , since it was not included by Petrucci in his collection of Josquin's masses, and was published posthumously. In its simplification, motivic unity, and close attention to the text it has been compared to the late works of Beethoven , and many commentators consider it one of the high points of Renaissance polyphony.

Juan de Urrede , a Flemish composer active in Spain in the late fifteenth century, composed numerous settings of the Pange lingua, most of them based on the original Mozarabic melody. One of his versions for four voices is among the most popular pieces of the sixteenth century, and was the basis for dozens of keyboard works in addition to masses, many by Spanish composers.

Anton Bruckner 's first composition was a setting of the first strophe of the hymn: Pange lingua, WAB The last two verses of Pange lingua Tantum ergo are often separated out. They mark the end of the procession of the monstrance in Holy Thursday liturgy.

Pange lingua has been translated into many different languages for worship throughout the world.

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